The writer is a lonely hunter

gailaldwin

Women are funny creatures too

I attended a comedy writing workshop with Juno Theatre last month which was a really informative and enjoyable day. By working collaboratively,  Sarah Scally, Maria Pruden and I produced a 10-minute comedy. This has been accepted for presentation so I’m    delighted to announce that our script ‘Killer Ladybugs’ will appear as part of a Scratch Night at the Marine Theatre in Lyme Regis on Wednesday 17 May 2017. The programme comprises eight scripts written by women which will be  performed by local actors. Book your seat now at the Marine Theatre. The show starts at 7:30pm and tickets cost £6 (£5 for concessions).  I hope to see you there!

JUNO THEATRE POSTER

 

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Apothecary, open mic in Bridport, Dorset

Apothecary is a monthly spoken word open mic session held at the Beach and Barnicott in Bridport. Run by Rob Casey, Ged Duncan, Tom Rogers and Sophia Moseley, it offers the opportunity for  a range of writers to share their work in five-minute slots.  Click on the link below to hear me reading my short fiction titled Burnt Toast.

The next Apothecary night will be held on Wednesday 10 May 2017. Get there by 7pm for a 7:30pm start to secure your place to read. Enjoy other Apothecarian readings by watching Apothecary Cure on YouTube.

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Retreats for You with Debbie Flint

I met Debbie Flint in 2011 when we both attended a retreat at Moniack Mhor, Scotland’s Creative Writing Centre.  (I returned there last year – you can read about my second visit here.) Debbie works as a presenter on QVC shopping channel, has a number of books published, and she’s recently taken over a writing retreat in Devon. It was great to touch base with Debbie again and draw upon her experience as a TV presenter to produce a couple of YouTube clips where I talk about my writing journey. Debbie’s help was invaluable in introducing me to interview techniques, accessing handy tips and supporting me through the process. I’d never done anything like this before so her coaching allowed me to feel confident throughout filming and I’m delighted with the results. You can watch the interviews here.

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Debbie has made Retreats for You into a homely and relaxing place to write and reflect. My window overlooks the square with views onto the fields beyond. There’s no excuse for not getting on with your work as a delicious breakfast, lunch and dinner is provided. It’s  also good to be in the company of other writers and tap into the positive energy this creates. A few days away makes all the difference to my word count, I find!

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A good start

img_0963The first snow drops appeared in our garden at the weekend and it’s always something to celebrate. More are pushing their way through the earth and soon there will be a shock of white on the bank. Other good news this morning came in an email from Nina Killham. She offered to provide feedback on a synopsis and the first fifty pages of a novel  as part of the Authors for Refugees fundraising scheme. I was lucky enough to place the winning bid and now have some positive ways forward to hone the opening pages of my latest manuscript The String Games. (It’s worth looking out for the Authors for Refugees scheme next autumn as there are some fabulous writers, agents and publishers who offer their services to raise money to support refugees.) Nina has three published novels and another one in draft. Due to my interest in children’s voices in adult fiction, I read Nina’s novel Believe Me which is narrated by thirteen-year-old Nic, who is brought up in an atheist household but turns to Christianity. It’s an assured study of the relationship between a boy and his mother and is well worth reading.

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Writers’ Day in Bournemouth

This time last week I was busy preparing a presentation titled Tips and Techniques: the voices of children in adult fiction to deliver as part of the Dorset Writers’ Network Day at Bournemouth Library. I got up early on Saturday to have breakfast and there was time to read over my presentation but when I opened the front door to set off, I found the car was not on the drive. I have been sharing a car with my daughter for a few weeks now. The deal is, I let her know when I want to use it. The arrangements had been communicated but somehow she forgot. I guessed where the car was, about a mile away outside her boyfriend’s house. I began sprinting up the road, only to realise I hadn’t checked in the garage to see if by some miracle, it had been parked in there. Back again, only to find the garage empty. Realising I was in no fit state for an early morning jog, I called a taxi. Meanwhile, with my daughter still not answering her mobile, I tried to make contact with other members of the network to let them know of my predicament. Finally a call came from my daughter who was on her way home. I cancelled the taxi, waited at the top of the road to ensure a swift handover, then sped over to Bournemouth. I arrived with a few minutes to spare for the start of the day. When I recounted my morning’s misadventure, a fellow network member commented that it would make a good start to a story. I’ll keep that in mind for when I’m next short of an idea.

The Writers’ Day was well received by participants and we’re looking forward to another occasion to deliver further input in support of writers in Dorset.

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L-R me, Tracy Baines (DWN), Vickie Goldie (Bournemouth Library) and Helen Baggott (DWN)

 

 

 

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Writers’ Day in Bournemouth

Join me at a Writers’ Day where you’ll be able to network with other writers, find out more about writing in different genres and become part of a new Dorset Writers’ Network project to be launched in 2017.

Venue: Bournemouth Library, 22 The Triangle, Bournemouth, BH2 5RQ

Time:  10am – 4pm

Date:   Saturday 22 October 2016

I have enjoyed working alongside all the workshop leaders and can thoroughly recommend their input.

Finding your character’s voice in Young Adult fiction

Chantelle Atkins is a prolific writer of YA fiction who has extensive knowledge of the genre. If you’re interested in finding out how to develop the voice of teenage characters, this is the workshop for you.

Researching your historical fiction

For an erudite workshop, you can’t do better than this. The team combination of Frances Colville and Tom Colville brings together the best approaches in research and provides ideas for how to apply this knowledge in developing your writing.

The art of self publishing

If you’re looking for sound advice from someone with substantial experience in helping writers reach their audience through self publishing, look no further than joining this workshop delivered by Helen Baggott. Have all your questions about the journey to become an indie author answered.

Child characters in fiction

Extend your repertoire of techniques in writing about children in adult fiction. Child narrators, child protagonists and child characters, when framed creatively, can add new dimensions to your writing. Join this workshop delivered by me and learn about the strategies published authors use to achieve authentic child characters.

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Also available are one-to-one surgeries for feedback and advice on improving your writing.

I hope to see some of you in October.

 

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The Beacon, Issue 1

s245645246236175034_p1_i1_w320 This time last year I was regularly travelling to Bournemouth to attend CPD training in workshop facilitation offered by Lit Up! Writing. (You can find a post about the programme here.) The latest Lit Up! initiative sees the publication of poetry and prose by  writers living in Dorset and beyond. The Beacon, Issue 1 is an ingenious anthology compiled to reflect the theme of performance. Act 1 includes work by fellow Wimborne Writing Group members Mary Bevan and Richard Green. My flash fiction ‘Graft’ appears at the end of Act 2, while Kim West (who also attended the Lit Up CPD training) has a poem in Act 3. Biographies for the writers appear under ‘curtain call’. It’s a pleasure to have my work included in such an innovative anthology. Well done to Ben Johnson for putting it together. Copies of the anthology can be purchased here.

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Going it alone

You may remember I won a prize in 2012 to have a collection of my short fiction titled Four Buses printed. While it was lovely to win a competition, I didn’t realise what was involved in producing a print-ready pdf of the collection. I was fortunate to have the help of Julie Musk with the process but how do others approach the task of self-publishing?

The Dorset Writers’ Network drew upon the support of Helen Baggott to help in the production of a wonderful anthology of short stories titled This Little World. It occurred to me that others might be interested to know how Helen can support writers wishing to self-publish.

Helen Baggott

Helen Baggott, Copy-editor and Proofreader. Partner Member of the Alliance of Independent Authors (ALLi) and an Associate of The Society of Authors.

Helen edits and proofreads manuscripts, she also works with authors preparing their documents for self-publishing – as e-books and paperbacks. A lack of confidence in computer skills shouldn’t be the reason a writer can’t experience the thrill of seeing their work published.

She’s passionate about supporting indie authors and as a member of ALLi, she is able to pass on tips and hints that might not be easily accessible to anyone embarking on a self-publishing journey. ALLi is committed to raising the standard of self-published books.

She often half-jokes that no-one will come knocking on an author’s door, asking if they have a book to sell. Marketing is also part of the self-publishing journey and she is able to help with advice on that too. You can find Helen at www.helenbaggott.co.uk

Helen has done some work for me in proofreading a manuscript and she’s recently supported Sue Stephenson in putting together an e-book. Sue has seen a massive increase in the traffic to her blog where readers have been searching the archive to find posts of a story called Powerless – The Year The Lights Went Out. The story has proved so popular that Sue’s taken the step of self-publishing Powerless as an e-book. You can find out more about it here, or visit amazon to purchase a copy. It’s a wonderful story that imagines what it would be like to suddenly have to live without power. The characters show such resilience and resourcefulness – it’s a fresh and absorbing read.

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Shelfie: publications that include my stories

 

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I’m making the most of my recent success with Elle magazine – thank you for all your comments and encouragement. While I don’t want to be the sort of blogger who spends posts boasting, it is gratifying to celebrate the markers of progress. I started writing in 2009, and had my first story published in 2010 with a payment of £25. Other stories and flash fiction followed, both online and in anthologies. My shelfie shows where you’ll find my writing in print and I’d like to thank all those who have made it possible  for my stories to reach an audience. These include:

All the time, new opportunities to become published are available. I’ll try to keep you updated with these through regular blog posts. Good luck with getting your writing out there.

 

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This Little World: workshops and publication launch

Please find details of a writers’ day in Dorchester with flyer and booking form below:

BOOK LAUNCH FLYER 2015 MASTER

NOV 14TH WORKSHOPS - BOOKING FORM

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