the writer is a lonely hunter


Travelling and writing

An interview with Allison Symes for Chandler’s Ford Today has me sharing stories about travelling overland on a converted Lodekka bus with Top Deck Travel in 1981.Group Shot at Winery Lyonn (2)

Find out how this journey links to the publication of Paisley Shirt here.


Visiting Troutie McFish


I’m pleased to join fellow Chapeltown author, Mandy Huggins, on Troutie McFish Tales today. You can read about my experience of writing about place and how I create characters. Do pop over and have a read.

If you’d like to purchase a copy of Paisley Shirt and you live in Dorset, Serendip in Lyme Regis and The Swanage Bookshop hold copies and I’m in negotiations with Gullivers in Wimborne, The Book Shop in Bridport and Waterstones in Dorchester to stock Paisley Shirt, too. You can also find Paisley Shirt in October Books,  Southampton.


For those who prefer ordering online, Amazon continues to show an ‘out of stock’ message so try ordering through the Book Depository  or another online retailer such as Waterstones. Any good bookshop will be able to order a copy if you quote the  ISBN  9781910542293.


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Flash Fiction and ongoing projects

How did I source a publisher? What do I love about flash fiction? What are my other writing projects? Tracy Fells at The Literary Pig invited me to share some of my writing experiences. Do pop over and have a read. Click here.




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Welcome: Mandy Huggins

I’m delighted to welcome fellow Chapeltown Books author Mandy Huggins to The Writer is a Lonely Hunter. She is a prolific writer whose name appears frequently as a winner or runner-up in a range of competitions and her stories are widely published on websites and in print anthologies. Brightly Coloured Horses, her collection of flash fiction has received rave reviews and I’m keen to learn more about Mandy.



What do you do for a day job? How does working in a different context affect your writing?

I work in engineering, so it’s a completely different world to writing. I enjoy getting out and talking to people every day, and writing is a solitary pursuit, so it actually makes for a good mix. The only real way my day job affects my writing is by severely restricting the time I have to actually write! I have a half hour walk to work, which is useful thinking time, so I’m often jotting down notes as soon as I arrive.

You’re widely known as the writer Mandy Huggins, but you’re also called Amanda and Troutie McFish. How are your different personas distinguished?

Troutie McFish is a nickname that was given to me by a colleague when I lived in London, and it became my Twitter handle and blog name long before I was promoting my writing. It always raises a smile when I tell people my email address!

I recently made a decision to use the name Amanda for my forthcoming short story collection, Separated From the Sea. All my family, friends and work colleagues know me as Mandy, but it feels like the right moment in my writing career to start using my full name as my author name. I just hope I don’t confuse everyone!

You’ve enjoyed considerable success with travel writing and short fiction. Do you think there is elitism attached to different types of writing?

Yes, sadly I think there is elitism attached to different types of writing, and genre fiction such as horror and fantasy is often perceived to be less ‘worthy’ than contemporary literary fiction. However, I think things have changed in the poetry world. The new wave of performance poets has led to a sudden upsurge in sales of poetry collections, and I think this is one form of writing that is becoming much less elitist.

Do you have ambition to be published in any particular journal or anthology? Where are your favourite places to be published? Do you have any recommendations for platforms to seek publication or particular resources?

I dream of having a short story published in The New Yorker, and it would be lovely to be included in Salt’s Best British Short Stories. However, I’m lucky to have been published in an interesting mix of journals, websites, newspapers and anthologies, and I’m grateful to every editor that has ever liked my work enough to have me!

The main resources I use for competition listings and publication opportunities are the Competition Guide supplement that comes twice-yearly with Writing Magazine, Mslexia’s Indie Press Guide, and the writer Paul Mcveigh’s wonderful blog.

Do you ever get jealous of the success of other writers?

No, not at all. I’m always delighted when writers I know are published or win an award.

Brightly Coloured Horses, your newly published collection of flash fiction has consistently received 5* reviews. What were the challenges in putting the collection together?

I selected the stories I wanted to include in Brightly Coloured Horses from around 50 pieces of flash fiction I’ve written in the last five years or so. In the end it wasn’t that difficult to choose. The 27 stories that made it were the ones that just seemed to fit together naturally as a cohesive collection. I’m a very slow writer, and a lot of work had already gone into honing every story.

What’s next for you, Mandy?

I’m thrilled to say that I have another book coming out in June – my first full-length short story collection, Separated From the Sea. I’m currently working on the final edits with Amanda Saint at Retreat West Books, and the cover reveal is imminent! Two books coming out in the same year is wonderful, but it’s not for the faint-hearted! The promotional side of things is hard work and time-consuming, as you know, and I’m finding I have no time left over to write anything new. The third book could be a long way off!

Thank you for joining me on The Writer is a Lonely Hunter, Mandy. What an exciting year you have ahead.





Dippy on Tour

As early as last summer, the arrival of Dippy to Dorchester was celebrated with special planting in Borough Gardens.


Now the famous Diplodocus skeleton cast from the Natural History Museum is touring the country. Bringing Dippy home is the rationale for the exhibition’s first stop in Dorchester, Dorset. It’s close to the Jurassic Coast and birthplace of palaeontology.


Dippy stretches the length of the beautiful Victorian gallery at Dorset County Museum and the first floor gallery provides a wonderful opportunity to get really close to the exhibit.

Fun facts about Dippy:

Species Name: Diplodocus carnegii (meaning double-beam)

Length: 21.3m     Width: 4.3m     Height: 4.25

Number of Bones: 292

Age: 156-145 million years

Fossil location: North America, 1878

Entry to the museum to see Dippy is free and Dippy is on display until 7 May 2018. Well worth seeing! More information and ticket availability can be found on the Dorset Country Museum website.

For those living further afield, Dippy continues the tour by visiting:

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Words for the Wild

I am delighted to have a poem published on Words for the Wild. This platform for new writing has been organised by Amanda Oosthuizen and Louise Taylor in response to the threat of development on the remaining pockets of countryside in urban Eastleigh. Amanda and Louise urge all writers to celebrate the countryside through stories and poetry thereby demonstrating the value of green spaces in order to help protect them for future generations.

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My poem “Glimpses” is beautifully presented on the website – it’s thrilling to see my work mounted so evocatively. And I’m chuffed to find my poem alongside the work of other writers I respect such as Claire Fuller, Calum Kerr and Amanda Saint.

Do pop over to Words for the Wild and take a look. I hope you enjoy “Glimpses”.


Visting Patsy Collins

Check out the power of purple – I’m chatting with Patsy Collins today. Why not pop over to her blog for a read?  Click here.

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Scenes from Kashmir

Following my recent discovery that paisley print pattern originates in Kashmir, I hunted out purchases I made while visiting the area in 1981. I was a passenger on a Top Deck overland trip from London to Kathmandu. We travelled on a converted Lodekka bus which had a kitchen area downstairs and sleeping accommodation up.

For the journey to Kashmir we took local transport and stayed in luxurious houseboats on Dal Lake in Srinagar.


My purchases from Kashmir include a carpet which sits in front of the hearth in our Dorset home. I paid a deposit and it was dispatched to my parents when they settled the balance and collected it after a wrangle with customs. (I was delightfully unaware of all this – having a fun time in Australia.)


A jacket, which I’m self-conscious of wearing due to the real fur trimming.


And a set of tables which travelled from Kashmir to Australia and then onto Papua New Guinea before furnishing various homes in the UK.


The carved finish of leaf patterns on these tables is close to being a paisley style pattern. Unlike Paisley Shirt my collection of short fiction, these are not available to purchase on Amazon! (If wishing to obtain my collection, please ignore the warning that the book is out of stock and place an order anyway – it will be sent to you given time.)

I never quite understood why I went on such a spending spree in Kashmir. I blame the tea which I now realise must have been laced with hash. You can find the low-down on the overland experience from Trevor Carroll in his book Crossing Continents with Top Deck.




Dorset Feather Stitchery

Feedback from my recent post about the history of paisley print (you can read it here), directed me to the tradition of the Dorset feather stitchery. This is an embroidery stitch that was originally used to decorate rural workers’ smocks. The pattern uses feather stitch, buttonhole stitch, chain stitch and fly stitch to create a pattern similar to the droplet shaped motif found in paisley patterns.

Background to the development of this embroidery style can be found in a book written by Dorset woman Olivia Pass, published in 1957.  Even from the cover design, the border shows remarkable similarity to paisley patterns.


It is delightful as the writer of a short fiction collection titled Paisley Shirt to find the design incorporated into local Dorset craft. There are examples of Dorset Feather Stitchery in the Bridport Museum or you might wish to read Olivia’s book. Like my collection Paisley Shirt it is possible to purchase Dorset Feather Stitchery on Amazon.


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National Trust: Lacock Abbey

David has held life membership of the National Trust since a maiden aunt left him £100 when he was eleven. Here is his membership card complete with boyhood signature.


The membership allows an accompanying guest to enter free of charge, so we tend to gravitate towards National Trust properties when out and about. Recently we visited Lacock Abbey in Wiltshire. Both the Abbey and properties in the town are administered by the National Trust and this makes for an interesting visit. The Abbey is situated within extensive grounds where you can see the approach of spring.


The building benefits from a variety of architectural styles owing to its history. First as an Augustinian abbey, then the home to a Tudor rogue, and finally as a family home and the birthplace of photography. In more recent times it has acted as a film location to a variety of productions including Harry Potter.


Cloister that appears in Harry Potter

I usually come away from these visit with ideas for creative writing. Word prompts include stone feathers and stone blindfolds. Watch this space for creative outputs!